1 00:00:01,334 --> 00:00:05,338 Previously on CSI:NY: 2 00:00:05,405 --> 00:00:07,140 Do you know who this is? 3 00:00:07,207 --> 00:00:09,609 RACHEL: Might be Hollis Eckhart. He was a patient here. 4 00:00:09,676 --> 00:00:11,644 We believe the schizophrenia was brought on 5 00:00:11,711 --> 00:00:13,413 by posttraumatic stress disorder. 6 00:00:13,480 --> 00:00:16,383 MESSER: Stell, you recognize this guy? 7 00:00:16,449 --> 00:00:18,017 BONASERA: Yeah. It looks like Dario Gonzales. 8 00:00:18,084 --> 00:00:19,652 Compass Killer's first vic. 9 00:00:19,719 --> 00:00:22,188 And that looks like Carol Hillcroft. 10 00:00:22,255 --> 00:00:23,790 (gasps) 11 00:00:23,857 --> 00:00:25,525 Which would make our third portrait...? 12 00:00:25,592 --> 00:00:26,626 Richard Caldrone. 13 00:00:28,862 --> 00:00:30,163 Now, who's this? 14 00:00:30,230 --> 00:00:31,664 BONASERA: "To my beautiful Calliope. 15 00:00:31,731 --> 00:00:34,167 The sun's rays are always jealous of you." 16 00:00:34,234 --> 00:00:35,568 MESSER: Calliope Eckhart. 17 00:00:35,635 --> 00:00:37,370 BONASERA: It's his wife. 18 00:00:37,437 --> 00:00:39,472 MESSER: Wow, so, hopefully, she can tell us where he is. 19 00:00:39,539 --> 00:00:41,775 BONASERA: No. It's not going to be possible. 20 00:00:41,841 --> 00:00:44,310 According to this, she was murdered two years ago. 21 00:00:44,377 --> 00:00:47,480 Danny, we just identified the Compass Killer. 22 00:00:47,547 --> 00:00:49,482 Hollis Eckhart! That's him! 23 00:00:55,588 --> 00:00:58,525 (sirens wailing) 24 00:00:58,591 --> 00:01:00,560 We got this entire place covered end to end. 25 00:01:00,627 --> 00:01:02,595 There's no way this guy disappeared into thin air. 26 00:01:02,662 --> 00:01:05,063 I want every inch of this place searched. 27 00:01:05,131 --> 00:01:07,600 We will find this guy. 28 00:01:28,521 --> 00:01:30,523 ♪ ♪ 29 00:01:58,384 --> 00:02:00,353 ♪ ♪ 30 00:02:12,966 --> 00:02:15,602 (indistinct radio transmission) 31 00:02:15,668 --> 00:02:18,605 The trace we found on the bottom of Hollis Eckhart's shoe 32 00:02:18,671 --> 00:02:20,640 was a definite match to the old New York map 33 00:02:20,707 --> 00:02:22,775 in the Tent of Tomorrow. 34 00:02:22,842 --> 00:02:24,511 Then we know the Compass Killer is here somewhere. 35 00:02:24,577 --> 00:02:26,613 Question is: Where? 36 00:02:26,679 --> 00:02:28,815 We've locked down the entire park since last night. 37 00:02:28,882 --> 00:02:31,217 Nobody gets in or out of here without going by us first. 38 00:02:31,284 --> 00:02:33,586 We got K-9, foot patrol-- you name it. 39 00:02:33,653 --> 00:02:34,487 Still no sign of him. 40 00:02:34,554 --> 00:02:36,222 MAN (over speaker): Detective Taylor, 41 00:02:36,289 --> 00:02:37,891 we are ready for infrared capability. 42 00:02:38,825 --> 00:02:38,825 Thank you. 43 00:02:38,825 --> 00:02:40,660 Mm-hmm. 44 00:02:40,727 --> 00:02:43,296 Time to go high-tech, huh? 45 00:02:43,363 --> 00:02:46,266 Hollis Eckhart has over 1,200 acres in this park to hide in. 46 00:02:46,332 --> 00:02:48,601 Maybe the infrared camera in that chopper can finally 47 00:02:48,668 --> 00:02:50,570 help us flush him out of Flushing Meadows. 48 00:02:50,637 --> 00:02:53,506 MAN (over speaker): We have an unusually high heat signature 49 00:02:53,573 --> 00:02:55,208 in the northwest quadrant. 50 00:03:00,713 --> 00:03:03,583 Heat source is within ten yards. 51 00:03:17,931 --> 00:03:19,499 You seeing anything? 52 00:03:19,566 --> 00:03:20,600 No. 53 00:03:21,634 --> 00:03:24,203 But it says someone's here. 54 00:03:37,917 --> 00:03:39,352 You think Hollis Eckhart's down there? 55 00:03:39,419 --> 00:03:42,288 We're about to find out. 56 00:03:43,890 --> 00:03:47,760 Captioning sponsored by CBS 57 00:03:47,827 --> 00:03:52,265 CSI NY PRODUCTIONS 58 00:03:52,332 --> 00:03:56,769 and TOYOTA. Moving Forward. 59 00:04:04,711 --> 00:04:08,815 ♪ Out here in the fields ♪ 60 00:04:08,881 --> 00:04:12,785 ♪ I fight for my meals ♪ 61 00:04:12,852 --> 00:04:17,589 ♪ I get my back into my living ♪ 62 00:04:19,826 --> 00:04:21,894 ♪ Yeah, yeah, yeah, yeah. ♪ 63 00:04:35,808 --> 00:04:38,811 (water dripping) 64 00:04:41,014 --> 00:04:42,649 (quietly): I'll check with Water and Sewer, 65 00:04:42,715 --> 00:04:44,450 find out where this tunnel leads. 66 00:04:50,590 --> 00:04:52,592 (beeps) 67 00:05:01,034 --> 00:05:04,604 (music playing in distance) 68 00:05:07,840 --> 00:05:11,477 Mac, are you hearing music? 69 00:05:11,544 --> 00:05:13,546 Yeah. 70 00:05:14,914 --> 00:05:17,450 (faintly): ♪ Ain't no sunshine when she's gone ♪ 71 00:05:17,517 --> 00:05:20,820 ♪ And she's always gone too long ♪ 72 00:05:20,887 --> 00:05:23,356 ♪ Any time she goes away ♪ 73 00:05:26,893 --> 00:05:32,699 ♪ Ain't no sunshine when she's gone ♪ 74 00:05:32,765 --> 00:05:35,968 ♪ It's not warm when she's away ♪ 75 00:05:39,605 --> 00:05:42,909 ♪ Ain't no sunshine when she's gone ♪ 76 00:05:42,975 --> 00:05:45,378 ♪ And she's always gone too long ♪ 77 00:05:45,445 --> 00:05:45,445 ♪ Any time she goes away ♪ 78 00:05:45,445 --> 00:05:48,000 (squeaking) 79 00:05:48,000 --> 00:05:48,000 ♪ Any time she goes away ♪ 80 00:05:48,000 --> 00:05:48,915 (squeaking) 81 00:05:52,919 --> 00:05:55,855 ♪ Wonder this time where she's gone ♪ 82 00:05:58,524 --> 00:06:02,929 ♪ Wonder if she's gone to stay ♪ 83 00:06:04,797 --> 00:06:08,000 ♪ Ain't no sunshine when she's gone ♪ 84 00:06:08,067 --> 00:06:11,003 ♪ And this house just ain't no home ♪ 85 00:06:11,070 --> 00:06:14,540 ♪ Any time she goes away ♪ 86 00:06:16,809 --> 00:06:19,879 ♪ And I know, I know, I know, I know, I know ♪ 87 00:06:19,946 --> 00:06:21,881 ♪ I know, I know, I know ♪ 88 00:06:21,948 --> 00:06:24,550 ♪ I know, I know, I know, I know... ♪ 89 00:06:24,617 --> 00:06:25,718 (needle scratches on record) 90 00:06:25,785 --> 00:06:29,822 ♪ Ain't no sunshine when she's gone ♪ 91 00:06:31,624 --> 00:06:35,962 ♪ It's not warm when she's away ♪ 92 00:06:38,131 --> 00:06:41,167 ♪ Ain't no sunshine when she's gone ♪ 93 00:06:41,234 --> 00:06:44,737 ♪ And she's always gone too long ♪ 94 00:06:44,804 --> 00:06:48,141 ♪ Any time she goes away ♪ 95 00:06:50,643 --> 00:06:54,680 ♪ Wonder this time where she's gone ♪ 96 00:06:56,849 --> 00:07:00,920 ♪ Wonder if she's gone to stay ♪ 97 00:07:02,922 --> 00:07:06,526 ♪ Ain't no sunshine when she's gone ♪ 98 00:07:06,592 --> 00:07:09,128 ♪ And this house just ain't no home ♪ 99 00:07:09,195 --> 00:07:12,865 ♪ Any time she goes away ♪ 100 00:07:15,802 --> 00:07:17,970 ♪ And I know, I know, I know, I know ♪ 101 00:07:18,037 --> 00:07:20,139 ♪ I know, I know, I know, I know ♪ 102 00:07:20,206 --> 00:07:22,742 ♪ And I know, I know, I know, I know ♪ 103 00:07:22,809 --> 00:07:25,912 ♪ I know, I know, I know, I know ♪ 104 00:07:25,978 --> 00:07:31,083 ♪ Wonder this time where she's gone ♪ 105 00:07:32,585 --> 00:07:35,888 ♪ Wonder if she's gone to stay ♪ 106 00:07:38,758 --> 00:07:42,128 ♪ Ain't no sunshine when she's gone ♪ 107 00:07:42,195 --> 00:07:44,997 ♪ And this house just ain't no home ♪ 108 00:07:45,064 --> 00:07:47,867 ♪ Any time she goes away ♪ 109 00:07:50,803 --> 00:07:53,206 ♪ And I know, I know, I know, I know ♪ 110 00:07:53,272 --> 00:07:56,542 ♪ I know, I know, I know, I know ♪ 111 00:07:56,609 --> 00:07:57,977 ♪ I know, I know, I know, I know ♪ 112 00:07:58,044 --> 00:07:59,879 ♪ I know, I know, I know, I know ♪ 113 00:07:59,946 --> 00:08:02,682 ♪ I know, I know, I know, I know ♪ 114 00:08:02,748 --> 00:08:04,817 ♪ I know, I know, I know, I know ♪ 115 00:08:04,884 --> 00:08:06,252 ♪ I know, yeah ♪ 116 00:08:06,319 --> 00:08:08,087 ♪ I can't leave that thing alone ♪ 117 00:08:08,154 --> 00:08:12,892 ♪ But ain't no sunshine when she's gone ♪ 118 00:08:15,595 --> 00:08:19,165 ♪ Ain't no sunshine when she's gone ♪ 119 00:08:20,733 --> 00:08:24,737 ♪ Only darkness every day ♪ 120 00:08:27,173 --> 00:08:30,142 ♪ Ain't no sunshine when she's gone... ♪ 121 00:08:30,209 --> 00:08:32,211 (loud whirring) 122 00:08:45,658 --> 00:08:47,159 ♪ Any time she goes away... ♪ 123 00:08:47,226 --> 00:08:49,228 Just an old generator? 124 00:08:51,764 --> 00:08:54,267 So, where are we and where the hell is he? 125 00:08:54,333 --> 00:08:57,236 Hollis Eckhart knows we're closing in. 126 00:08:59,238 --> 00:09:02,108 Which means he's out there somewhere, 127 00:09:02,174 --> 00:09:04,777 hunting his next victim. 128 00:09:25,064 --> 00:09:27,633 (panting) 129 00:09:33,005 --> 00:09:34,674 We lost Eckhart 130 00:09:34,740 --> 00:09:35,908 in the park just after midnight. 131 00:09:35,975 --> 00:09:37,977 He clearly hid down here. 132 00:09:38,044 --> 00:09:39,845 Might have left within minutes of our arriving. 133 00:09:39,912 --> 00:09:40,980 So I want every storm and sewer line 134 00:09:41,047 --> 00:09:43,115 within the immediate vicinity of this park searched. 135 00:09:43,182 --> 00:09:46,118 Eckhart could still be in one of these tunnels. 136 00:09:46,185 --> 00:09:47,053 Armed and dangerous. 137 00:09:47,119 --> 00:09:47,119 We got it, Mac. 138 00:09:47,119 --> 00:09:48,000 Hey. 139 00:09:48,000 --> 00:09:48,000 We got it, Mac. 140 00:09:48,000 --> 00:09:49,188 Hey. 141 00:09:49,255 --> 00:09:49,855 You watch yourself. 142 00:09:49,922 --> 00:09:52,124 I'm good. I got my sea legs. 143 00:09:52,191 --> 00:09:53,759 Go. 144 00:09:53,826 --> 00:09:55,161 We're standing 145 00:09:55,227 --> 00:09:56,295 in "The Underground Home." 146 00:09:56,362 --> 00:09:57,863 It was a pavilion 147 00:09:57,930 --> 00:09:59,598 in the '64 New York World's Fair. 148 00:09:59,665 --> 00:10:03,102 20 feet below the ground in a concrete Cold War bunker. 149 00:10:03,169 --> 00:10:05,171 When the fair closed, they just trucked in some topsoil 150 00:10:05,237 --> 00:10:06,872 and left it right here. 151 00:10:06,939 --> 00:10:08,941 For Hollis Eckhart to call home. 152 00:10:09,008 --> 00:10:10,343 Wonder how he knew about it? 153 00:10:10,409 --> 00:10:11,777 He was a surveyor. 154 00:10:11,844 --> 00:10:13,813 Probably studied every inch of this city, 155 00:10:13,879 --> 00:10:15,114 above and below ground. 156 00:10:15,181 --> 00:10:17,717 Question is: Where is he now? 157 00:10:17,783 --> 00:10:20,186 Well, his first three vics were north, south, and east, 158 00:10:20,252 --> 00:10:21,354 so he's definitely headed west. 159 00:10:21,420 --> 00:10:23,789 We need to collect everything we can from this place. 160 00:10:23,856 --> 00:10:26,892 Something could lead us to his next victim. 161 00:10:31,197 --> 00:10:33,899 (camera shutter clicking) 162 00:10:57,957 --> 00:10:59,959 ♪ ♪ 163 00:11:26,052 --> 00:11:28,387 (rats squeaking) 164 00:11:56,782 --> 00:11:59,385 ♪ ♪ 165 00:12:14,900 --> 00:12:17,970 ROSS: How are the surveillance feeds coming along down there? 166 00:12:18,037 --> 00:12:20,272 We'll be live in one minute, Adam. 167 00:12:20,339 --> 00:12:22,441 We're completely tapping the NYPD surveillance system, 168 00:12:22,508 --> 00:12:24,076 over 3,000 cameras 169 00:12:24,143 --> 00:12:25,177 around the city at our disposal, 170 00:12:25,244 --> 00:12:27,513 and a live audio link to every detective in the field. 171 00:12:27,580 --> 00:12:29,348 Good. Priority is the West Side. 172 00:12:29,415 --> 00:12:31,217 Closely monitor crowds 173 00:12:31,283 --> 00:12:32,518 for automated facial recognition. 174 00:12:32,585 --> 00:12:35,121 If anyone even remotely looks like Eckhart, 175 00:12:35,187 --> 00:12:36,355 you call me right away. 176 00:12:36,422 --> 00:12:36,422 You need more eyes on the screens, let me know. 177 00:12:36,422 --> 00:12:38,691 Got it. 178 00:12:49,401 --> 00:12:54,106 (water dripping) 179 00:12:56,842 --> 00:12:57,810 ROSS: Danny, our audio 180 00:12:57,877 --> 00:12:59,411 and video feeds are now live. 181 00:12:59,478 --> 00:13:01,547 Got ya, Adam. 182 00:13:01,614 --> 00:13:02,982 I've got your back. 183 00:13:03,048 --> 00:13:05,351 Let me know if you spot him. 184 00:13:29,108 --> 00:13:31,410 NYPD. 185 00:13:31,477 --> 00:13:33,112 Show me your hands. 186 00:13:35,314 --> 00:13:38,350 Adam, in pursuit of suspect! 187 00:13:38,417 --> 00:13:41,520 Roosevelt and 126th! 188 00:13:41,587 --> 00:13:41,587 Are you getting this, Adam? 189 00:13:41,587 --> 00:13:42,000 Got it, boss. 190 00:13:42,000 --> 00:13:42,000 Are you getting this, Adam? 191 00:13:42,000 --> 00:13:43,355 Got it, boss. 192 00:13:43,422 --> 00:13:44,823 Roosevelt Avenue, Queens. 193 00:13:44,890 --> 00:13:45,958 Communication channel 12. 194 00:13:48,260 --> 00:13:50,429 Take him down if you have to, Danny. 195 00:13:50,496 --> 00:13:50,496 Don't let him get away. 196 00:13:50,496 --> 00:13:52,998 I don't have a clean shot. 197 00:14:15,287 --> 00:14:16,322 He's on the street. 198 00:14:18,090 --> 00:14:19,091 Here we go, 126th. 199 00:14:22,361 --> 00:14:23,996 (car horn honking) 200 00:14:25,264 --> 00:14:27,566 (tires squealing and horn honking) 201 00:14:34,673 --> 00:14:34,673 Flack, you see him? 202 00:14:34,673 --> 00:14:36,000 Negative. 203 00:14:36,000 --> 00:14:36,000 Flack, you see him? 204 00:14:36,000 --> 00:14:37,376 Negative. 205 00:14:37,443 --> 00:14:39,044 Mac, we lost him. 206 00:14:39,111 --> 00:14:40,913 Not for long. Bring up that side street. 207 00:14:40,980 --> 00:14:42,481 ROSS: There he goes, 208 00:14:42,548 --> 00:14:44,149 west on Willets Point. 209 00:14:44,216 --> 00:14:46,318 Danny, he's half a block up Willets Point. 210 00:14:46,385 --> 00:14:47,386 Go that way. 211 00:14:48,520 --> 00:14:50,022 He's 100 feet ahead of you. 212 00:14:51,557 --> 00:14:53,058 Right at the corner. 213 00:14:57,529 --> 00:14:59,932 I don't see him. Do you have a visual? 214 00:14:59,999 --> 00:15:01,233 Take a right. 215 00:15:01,300 --> 00:15:02,635 I got him. I got him. 216 00:15:02,701 --> 00:15:04,169 TAYLOR: Don't let him out of your sight. 217 00:15:07,139 --> 00:15:08,907 I'm on his heels, Mac. 218 00:15:08,974 --> 00:15:10,476 Come on, come on, come on. 219 00:15:16,315 --> 00:15:18,284 TAYLOR: He just rounded the fence. 220 00:15:18,350 --> 00:15:20,052 I got him. 221 00:15:20,119 --> 00:15:21,053 TAYLOR: Don't lose him, Danny. 222 00:15:21,120 --> 00:15:21,120 Don't lose him. 223 00:15:21,120 --> 00:15:22,488 Not a chance. 224 00:15:30,095 --> 00:15:31,030 We got him, Danny. 225 00:15:31,096 --> 00:15:32,264 He just ducked into an alley 226 00:15:32,331 --> 00:15:34,233 between 37th and 38th. 227 00:15:58,557 --> 00:16:00,025 Put your hands on your head right now. 228 00:16:00,693 --> 00:16:03,228 Slow, nice and slow. 229 00:16:05,497 --> 00:16:07,199 Mac, it's not him. 230 00:16:07,266 --> 00:16:09,501 I repeat: 231 00:16:10,569 --> 00:16:12,404 This is not Hollis Eckhart. 232 00:16:21,380 --> 00:16:23,482 I telling you, I only went down there to stay warm. 233 00:16:23,549 --> 00:16:23,549 Then why'd you run? 234 00:16:23,549 --> 00:16:24,000 'Cause I was scared, man. You don't get it. 235 00:16:24,000 --> 00:16:24,000 Then why'd you run? 236 00:16:24,000 --> 00:16:26,251 'Cause I was scared, man. You don't get it. 237 00:16:26,318 --> 00:16:28,620 Some punk already got the jump on me once today. 238 00:16:28,687 --> 00:16:30,589 (yelling) 239 00:16:31,790 --> 00:16:31,790 Get a good look at him? 240 00:16:31,790 --> 00:16:33,525 Yeah. 241 00:16:33,592 --> 00:16:34,560 I only wish I hadn't. 242 00:16:34,626 --> 00:16:36,628 He put the hurt on me pretty good, and... 243 00:16:36,695 --> 00:16:38,630 You're not supposed to be here! 244 00:16:39,531 --> 00:16:40,699 (grunts) 245 00:16:40,766 --> 00:16:42,401 His face was all... 246 00:16:42,468 --> 00:16:45,471 It looked like a horror movie. That's all I can tell you. 247 00:16:45,537 --> 00:16:47,072 Did he say anything to you? 248 00:16:47,139 --> 00:16:49,508 Yeah, once he chilled out a little bit. 249 00:16:49,575 --> 00:16:52,010 Now that you are here... 250 00:16:52,077 --> 00:16:53,412 you're gonna stay. 251 00:16:53,479 --> 00:16:55,114 No, okay. 252 00:16:57,182 --> 00:16:58,617 Almost seemed sorry for what he did, 253 00:16:58,684 --> 00:17:00,052 even gave me his jacket. 254 00:17:01,720 --> 00:17:04,189 Told me I could keep it if I stayed down in the tunnel 255 00:17:04,256 --> 00:17:04,256 another couple hours. 256 00:17:04,256 --> 00:17:05,590 This jacket? 257 00:17:05,656 --> 00:17:07,559 Yeah. 258 00:17:07,626 --> 00:17:09,595 All right, hand it over. 259 00:17:09,661 --> 00:17:09,661 You ain't gonna take it from me, are you? 260 00:17:09,661 --> 00:17:11,497 Yeah, I'm afraid so. 261 00:17:11,563 --> 00:17:13,565 Take it off. 262 00:17:14,366 --> 00:17:16,167 Did you see where he went after that? 263 00:17:16,234 --> 00:17:18,637 I don't know. 264 00:17:26,612 --> 00:17:29,248 Hey, thanks, man. 265 00:17:29,314 --> 00:17:30,582 That was nice of you. 266 00:17:30,649 --> 00:17:31,650 Thanks. 267 00:17:31,717 --> 00:17:33,552 I'm back. 268 00:17:33,619 --> 00:17:36,155 Mac, so it looks like Eckhart 269 00:17:36,221 --> 00:17:37,790 was just trying to buy himself some time. 270 00:17:37,856 --> 00:17:41,160 Want to give us new directions? 271 00:17:41,226 --> 00:17:42,694 Let me get back to you. 272 00:17:42,761 --> 00:17:44,630 Let's focus on all surveillance points 273 00:17:44,696 --> 00:17:46,698 between a two-, five-, and ten-mile radius 274 00:17:46,765 --> 00:17:48,333 of the manhole they just exited. 275 00:17:48,400 --> 00:17:49,334 Facial recognition 276 00:17:49,401 --> 00:17:51,069 and body shape similarities. 277 00:17:51,136 --> 00:17:52,704 Done. 278 00:17:54,506 --> 00:17:56,608 (typing) 279 00:17:56,675 --> 00:17:59,111 (computer clicking) 280 00:18:10,556 --> 00:18:12,257 (beep) 281 00:18:30,342 --> 00:18:31,577 BONASERA: Hawke. 282 00:18:31,643 --> 00:18:33,545 This is a picture of Hollis Eckhart, 283 00:18:33,612 --> 00:18:34,746 age three. 284 00:18:34,813 --> 00:18:36,748 We recovered it in the Underground Home. 285 00:18:36,815 --> 00:18:40,252 I ran it through some simulated aging software. 286 00:18:40,319 --> 00:18:43,222 BONASERA: Definitely a match. 287 00:18:43,288 --> 00:18:44,823 Yeah, but the background on the original photo 288 00:18:44,890 --> 00:18:47,292 was faded, so with some contrast 289 00:18:47,359 --> 00:18:50,295 and correction tools... 290 00:18:50,362 --> 00:18:51,763 voilà. 291 00:18:51,830 --> 00:18:53,165 New York World's Fairgrounds. 292 00:18:53,232 --> 00:18:54,233 Yeah. 293 00:18:55,200 --> 00:18:56,802 BONASERA: These are sun charts. 294 00:18:56,869 --> 00:18:58,604 Yes, they plot the sun's movements 295 00:18:58,670 --> 00:19:00,606 through the sky on any given day. 296 00:19:00,672 --> 00:19:03,675 And... check this out. 297 00:19:04,810 --> 00:19:06,478 And this is? 298 00:19:06,545 --> 00:19:08,514 It's called a solar illumination gauge. 299 00:19:08,580 --> 00:19:10,649 This side is used to measure the sun's path. 300 00:19:10,716 --> 00:19:10,716 See those lines? 301 00:19:10,716 --> 00:19:12,000 Yeah, they're for a given latitude. 302 00:19:12,000 --> 00:19:12,000 See those lines? 303 00:19:12,000 --> 00:19:13,285 Yeah, they're for a given latitude. 304 00:19:13,352 --> 00:19:16,388 Right. So wherever the window's reflection appears in the lens, 305 00:19:16,455 --> 00:19:17,656 it tells you exactly 306 00:19:17,723 --> 00:19:18,891 what times of the year 307 00:19:18,957 --> 00:19:21,760 a given point will receive direct sunlight. 308 00:19:21,827 --> 00:19:21,827 Mm-hmm. 309 00:19:21,827 --> 00:19:23,662 Now, take a look at the dots. 310 00:19:23,729 --> 00:19:26,465 Each dot represents a 0.1 percent 311 00:19:26,532 --> 00:19:27,533 sky factor. 312 00:19:27,599 --> 00:19:29,868 That's the ratio of sunlight inside the building 313 00:19:29,935 --> 00:19:31,403 to the brightness of the sun 314 00:19:31,470 --> 00:19:32,504 when it's shining outside. 315 00:19:32,571 --> 00:19:34,673 So if you count the number of dots 316 00:19:34,740 --> 00:19:36,475 in the window's reflection, 317 00:19:36,542 --> 00:19:38,677 you can add up the sky factor for any given position. 318 00:19:38,744 --> 00:19:40,712 Yeah, but why? 319 00:19:40,779 --> 00:19:41,947 Well, land surveyors 320 00:19:42,014 --> 00:19:43,882 often use the sun's positioning 321 00:19:43,949 --> 00:19:43,949 for their calculations. 322 00:19:43,949 --> 00:19:46,318 That's true. 323 00:19:46,385 --> 00:19:48,654 But it feels to me like Eckhart's using all this stuff 324 00:19:48,720 --> 00:19:51,290 to calculate something much darker. 325 00:19:52,591 --> 00:19:54,560 Mac, hey, the paper fragments 326 00:19:54,626 --> 00:19:56,695 I found in the bedroom of the Underground Home-- 327 00:19:56,762 --> 00:19:58,664 they're a match to the previous notes we found 328 00:19:58,730 --> 00:20:01,466 on Hollis Eckhart's victims. 329 00:20:04,770 --> 00:20:04,770 Another fake suicide message? 330 00:20:04,770 --> 00:20:06,000 Well, it's kind of hard to tell 331 00:20:06,000 --> 00:20:06,000 Another fake suicide message? 332 00:20:06,000 --> 00:20:06,939 Well, it's kind of hard to tell 333 00:20:07,005 --> 00:20:08,440 when it looks like this. 334 00:20:08,507 --> 00:20:10,776 I'm on my way to the QD lab now 335 00:20:10,842 --> 00:20:10,842 to see if I can clean it up. 336 00:20:10,842 --> 00:20:12,000 Good. 337 00:20:12,000 --> 00:20:12,000 to see if I can clean it up. 338 00:20:12,000 --> 00:20:13,245 Good. 339 00:20:13,312 --> 00:20:14,813 'Cause whatever's underneath these scratches 340 00:20:14,880 --> 00:20:16,815 might just tell us who he's after. 341 00:20:16,882 --> 00:20:17,883 Yeah. 342 00:20:22,054 --> 00:20:23,589 (computer beeps) 343 00:20:27,893 --> 00:20:29,928 Eckhart's writings-- 344 00:20:29,995 --> 00:20:31,730 collected from the Underground Home. 345 00:20:31,797 --> 00:20:33,665 They read like an accusation of guilt 346 00:20:33,732 --> 00:20:34,800 directed at each one of the victims. 347 00:20:34,866 --> 00:20:35,934 Take a look. 348 00:20:36,001 --> 00:20:38,236 "All the stupid bastard had to do 349 00:20:38,303 --> 00:20:40,672 "was run a permit check the way he was supposed to 350 00:20:40,739 --> 00:20:41,873 "before he sold the damn gun 351 00:20:41,940 --> 00:20:43,508 "to that butcher. 352 00:20:43,575 --> 00:20:46,445 But instead he chose to take the money and run." 353 00:20:46,511 --> 00:20:47,546 Sounds like he's talking about 354 00:20:47,613 --> 00:20:49,348 the first victim, Dario Gonzales. 355 00:20:52,751 --> 00:20:53,719 (computer beeps) 356 00:20:53,785 --> 00:20:55,921 BONASERA: "She was a court-appointed shrink. 357 00:20:55,988 --> 00:20:58,624 "How could she not see he was still a threat 358 00:20:58,690 --> 00:21:00,626 "to his ex-wife and everyone else? 359 00:21:00,692 --> 00:21:02,728 "How hard would it have been 360 00:21:02,794 --> 00:21:04,896 to send her a simple warning in the mail?" 361 00:21:04,963 --> 00:21:05,964 That's got to be Carole Hillcroft. 362 00:21:09,768 --> 00:21:11,770 BONASERA: "Is that what they paid him for, 363 00:21:11,837 --> 00:21:13,372 "to take a cozy little nap 364 00:21:13,438 --> 00:21:14,806 "while Death walked by his desk 365 00:21:14,873 --> 00:21:16,642 and took my angel away?" 366 00:21:16,708 --> 00:21:17,943 Richard Caldrone, 367 00:21:18,010 --> 00:21:19,544 the third victim. 368 00:21:24,549 --> 00:21:26,018 It still doesn't make sense. 369 00:21:26,084 --> 00:21:27,886 Dario Gonzales 370 00:21:27,953 --> 00:21:30,022 was a maintenance man, not a gun salesman. 371 00:21:30,088 --> 00:21:31,623 Right, I know. 372 00:21:31,690 --> 00:21:32,658 And Carole Hillcroft isn't a shrink. 373 00:21:32,724 --> 00:21:35,761 Richard Caldrone may have been a nightclub bouncer, 374 00:21:35,827 --> 00:21:37,396 but he was never a security guard. 375 00:21:37,462 --> 00:21:39,998 None of Eckhart's victims 376 00:21:40,065 --> 00:21:42,434 are connected to the jobs he accused them of doing, 377 00:21:42,501 --> 00:21:44,036 or connected to each other. 378 00:21:44,102 --> 00:21:45,771 And from everything we've gathered, 379 00:21:45,837 --> 00:21:47,406 they're not even remotely related 380 00:21:47,472 --> 00:21:49,041 to the original act of violence 381 00:21:49,107 --> 00:21:51,376 that left Eckhart's wife dead. 382 00:21:52,411 --> 00:21:54,913 This might sound crazy, but then again, so is he. 383 00:21:54,980 --> 00:21:58,350 Eckhart's medical records 384 00:21:58,417 --> 00:22:00,519 cite him as a delusional schizophrenic. 385 00:22:00,585 --> 00:22:03,889 He frequently accused doctors, staff, other patients 386 00:22:03,955 --> 00:22:06,925 of doing things that they didn't. 387 00:22:06,992 --> 00:22:08,627 Assigning blame to strangers 388 00:22:08,694 --> 00:22:09,995 to explain how something happened. 389 00:22:10,062 --> 00:22:12,864 Right. I believe Hollis Eckhart is incapable 390 00:22:12,931 --> 00:22:15,634 of separating tragedy from reality. 391 00:22:15,701 --> 00:22:17,869 The gunman at the massacre was able to purchase 392 00:22:17,936 --> 00:22:20,772 a weapon at a pawn shop without a permit 393 00:22:20,839 --> 00:22:23,809 even after a judge ordered him to get psychiatric counseling. 394 00:22:23,875 --> 00:22:24,876 And the security guard 395 00:22:24,943 --> 00:22:27,012 at the Surveyor's Office claimed he didn't even see 396 00:22:27,079 --> 00:22:29,781 the gunman enter the building until it was too late. 397 00:22:29,848 --> 00:22:31,650 In Hollis Eckhart's fractured mind, 398 00:22:31,717 --> 00:22:33,452 he draws pictures of people 399 00:22:33,518 --> 00:22:35,887 he holds responsible for killing Calliope, 400 00:22:35,954 --> 00:22:37,823 and then punishes them one by one. 401 00:22:37,889 --> 00:22:39,725 And they're not even the real people 402 00:22:39,791 --> 00:22:41,793 who might have had a hand in her death. 403 00:22:41,860 --> 00:22:43,128 No, they're just figments of his imagination 404 00:22:43,195 --> 00:22:44,930 that he draws on a piece of paper. 405 00:22:44,996 --> 00:22:46,965 And the first innocent victim 406 00:22:47,032 --> 00:22:48,734 that looks like one of his sketches 407 00:22:48,800 --> 00:22:50,736 becomes Eckhart's target. 408 00:22:50,802 --> 00:22:53,905 Which means anyone in this city could be next. 409 00:22:55,540 --> 00:22:57,676 And right now... 410 00:22:57,743 --> 00:22:59,978 we have no way of knowing who that is. 411 00:23:16,928 --> 00:23:18,997 Can I help you find something? 412 00:23:26,471 --> 00:23:28,039 I'll just ring you up at the register. 413 00:23:29,574 --> 00:23:32,144 Hey, buddy, plan on paying for that? 414 00:23:50,529 --> 00:23:53,932 (siren wails, stops) 415 00:23:55,901 --> 00:23:57,536 Mr. Birnbaum? 416 00:23:57,602 --> 00:23:58,770 How you doing? NYPD. 417 00:23:58,837 --> 00:24:00,605 Somebody rough you up a little bit? 418 00:24:00,672 --> 00:24:00,672 You guys are about 20 minutes too late. 419 00:24:00,672 --> 00:24:02,874 MESSER: Yeah, right. 420 00:24:02,941 --> 00:24:03,708 So, Dispatch said a man came 421 00:24:03,775 --> 00:24:04,976 in your store and stole some rope? 422 00:24:05,043 --> 00:24:06,878 Yeah, that's one way of putting it. 423 00:24:06,945 --> 00:24:08,647 I got a full register 424 00:24:08,713 --> 00:24:10,182 and a safe just waiting for a deposit. 425 00:24:10,248 --> 00:24:11,883 This assface decides to pistol-whip me 426 00:24:11,950 --> 00:24:13,885 over three bucks' worth of lousy rope. 427 00:24:13,952 --> 00:24:15,687 Can you give us a description? 428 00:24:15,754 --> 00:24:17,722 Trust me, this is a fruitcake you don't forget. 429 00:24:17,789 --> 00:24:18,723 Scarred-up face, 430 00:24:18,790 --> 00:24:19,624 switched-off look behind the eyes. 431 00:24:19,691 --> 00:24:20,692 This guy was messed up 432 00:24:20,759 --> 00:24:21,860 inside and out. 433 00:24:21,927 --> 00:24:23,562 Got any idea which way he went? 434 00:24:23,628 --> 00:24:25,564 I was trying pretty hard to play dead at that moment. 435 00:24:27,232 --> 00:24:28,633 But after he stole my jacket, 436 00:24:28,700 --> 00:24:30,702 I saw him go that way. 437 00:24:30,769 --> 00:24:34,973 West on 48th, on foot about a half an hour ahead of us. 438 00:24:35,040 --> 00:24:36,908 Do me a favor. If you catch the guy, 439 00:24:36,975 --> 00:24:38,844 keep the rope, string him up with it, would ya? 440 00:24:38,910 --> 00:24:40,846 Yeah, we will. 441 00:24:43,849 --> 00:24:46,685 (computer trilling) 442 00:24:46,751 --> 00:24:48,220 (beeping) 443 00:24:48,286 --> 00:24:49,788 Come on! 444 00:24:51,590 --> 00:24:52,557 (sighs) 445 00:24:52,624 --> 00:24:53,758 What's the problem? 446 00:24:53,825 --> 00:24:54,826 (sighs) Not all our surveillance cameras 447 00:24:54,893 --> 00:24:56,261 are outfitted with night vision. 448 00:24:56,328 --> 00:24:59,197 And since the sun went down, I'm losing a lot of views. 449 00:24:59,264 --> 00:25:01,066 Then tap into private, or even 450 00:25:01,132 --> 00:25:03,034 Homeland Security feeds if you have to. 451 00:25:03,101 --> 00:25:04,135 Just keep looking. 452 00:25:04,202 --> 00:25:05,136 Just keep looking. 453 00:25:05,203 --> 00:25:07,839 Just keep looking. 454 00:25:07,906 --> 00:25:09,741 I got this. I got this. 455 00:25:12,711 --> 00:25:13,778 All right, let's get these 456 00:25:13,845 --> 00:25:15,180 to Layout as quickly as possible. 457 00:25:15,247 --> 00:25:16,781 More evidence from the Underground Home? 458 00:25:16,848 --> 00:25:18,850 That's just what we could fit into the elevator. 459 00:25:18,917 --> 00:25:20,852 Eckhart must have been holed up down there for a while. 460 00:25:20,919 --> 00:25:21,753 Probably ever since he escaped 461 00:25:21,820 --> 00:25:22,954 from Crestridge Psychiatric Hospital. 462 00:25:23,021 --> 00:25:25,156 Yeah. Most of it is period stuff. 463 00:25:25,223 --> 00:25:27,292 Explains all the trace evidence we found 464 00:25:27,359 --> 00:25:29,227 at previous crime scenes relating to the 1960s. 465 00:25:29,294 --> 00:25:30,829 He's a killer obsessed with the past. 466 00:25:30,896 --> 00:25:32,731 Or trapped there. 467 00:25:32,797 --> 00:25:35,166 Eckhart suffers from acute PTSD. 468 00:25:35,233 --> 00:25:37,002 And according to his medical records, 469 00:25:37,068 --> 00:25:38,069 he has bullet fragments lodged 470 00:25:38,136 --> 00:25:39,671 in the temporal lobe of his brain. 471 00:25:39,738 --> 00:25:41,273 Nothing in this world is real to him. 472 00:25:41,339 --> 00:25:43,541 Well, let's hope there's something real in those boxes 473 00:25:43,608 --> 00:25:44,843 so we can uncover the method 474 00:25:44,910 --> 00:25:45,977 to his madness. 475 00:26:05,630 --> 00:26:08,733 (beeps) 476 00:26:08,800 --> 00:26:10,235 (trilling) 477 00:26:27,018 --> 00:26:28,620 Get anything on that suicide note? 478 00:26:28,687 --> 00:26:30,088 Yeah. It's not a suicide note. 479 00:26:31,890 --> 00:26:32,691 It's another sketch. 480 00:26:32,757 --> 00:26:34,726 Like the ones we found at the asylum 481 00:26:34,793 --> 00:26:36,261 of Eckhart's first three victims. 482 00:26:36,328 --> 00:26:37,963 Lindsay, this could be the fourth. 483 00:26:38,029 --> 00:26:41,032 Yeah, well, the video spectral comparator gave some improvement 484 00:26:41,099 --> 00:26:43,068 to the image, but I don't think we're gonna get 485 00:26:43,134 --> 00:26:46,771 the kind of detail we need to make any kind of an I.D. 486 00:26:46,838 --> 00:26:49,341 Try 3-D forensic handwriting analysis. 487 00:26:49,407 --> 00:26:51,276 Based on the indentations, maybe it will help 488 00:26:51,343 --> 00:26:54,079 identify which pencil layers were applied last. 489 00:26:54,145 --> 00:26:55,714 Then you can remove them. 490 00:26:55,780 --> 00:26:57,615 Will do. But, Mac, 491 00:26:57,682 --> 00:26:58,817 you can practically feel 492 00:26:58,883 --> 00:27:01,319 Eckhart's rage in the way he scratched this drawing out. 493 00:27:01,386 --> 00:27:02,854 If you ask me... 494 00:27:02,921 --> 00:27:06,224 he hated this victim more than everybody else. 495 00:27:34,019 --> 00:27:36,921 ♪ ♪ 496 00:28:06,151 --> 00:28:08,787 ♪ ♪ 497 00:28:16,127 --> 00:28:17,962 (trilling) 498 00:28:18,029 --> 00:28:18,029 (sighs) 499 00:28:18,029 --> 00:28:20,131 I just finished my third cup of coffee. 500 00:28:20,198 --> 00:28:20,198 Figured you could probably use one. 501 00:28:20,198 --> 00:28:22,300 Oh, thanks, Stella. 502 00:28:22,367 --> 00:28:24,803 Thought we weren't supposed to drink in the lab? 503 00:28:24,869 --> 00:28:26,871 We aren't, but at some point, 504 00:28:26,938 --> 00:28:28,807 the human body either requires sleep 505 00:28:28,873 --> 00:28:29,974 or massive quantities of caffeine. 506 00:28:30,041 --> 00:28:30,975 God bless you. 507 00:28:31,042 --> 00:28:31,976 How's it going here? 508 00:28:32,043 --> 00:28:33,711 Mm, great 509 00:28:33,778 --> 00:28:35,880 if you like playing "Guess Who?" one pixel at a time. 510 00:28:35,947 --> 00:28:37,215 Hollis Eckhart doesn't make it easy. 511 00:28:37,282 --> 00:28:38,416 No, he doesn't. 512 00:28:38,483 --> 00:28:41,019 But then again, he didn't have it very easy. 513 00:28:41,086 --> 00:28:42,887 Imagine losing somebody you loved like that. 514 00:28:42,954 --> 00:28:44,355 His wife came to see him at work, 515 00:28:44,422 --> 00:28:47,959 then somebody else's boyfriend showed up and started shooting. 516 00:28:48,026 --> 00:28:48,993 (people screaming) 517 00:28:49,060 --> 00:28:49,961 Under the desk. 518 00:28:53,932 --> 00:28:58,002 BONASERA: All that bloodshed, all that fear. 519 00:28:58,069 --> 00:29:00,205 The attack at the surveyor's office 520 00:29:00,271 --> 00:29:02,407 literally shattered his mind. 521 00:29:02,474 --> 00:29:04,209 (whimpering) 522 00:29:04,275 --> 00:29:07,479 (woman screams) 523 00:29:07,545 --> 00:29:09,814 And worse than that, it broke his heart. 524 00:29:09,881 --> 00:29:09,881 That's a rage you can't control. 525 00:29:09,881 --> 00:29:11,749 No. 526 00:29:11,816 --> 00:29:15,286 But it's one we've gotta stop. 527 00:29:16,054 --> 00:29:17,255 (trilling) 528 00:29:22,594 --> 00:29:24,796 TAYLOR: So what are we looking at? 529 00:29:24,863 --> 00:29:27,132 Manhattanhenge. 530 00:29:27,198 --> 00:29:28,399 Manhattan what? 531 00:29:28,466 --> 00:29:29,901 It's a biannual phenomenon 532 00:29:29,968 --> 00:29:32,170 in which the rising or setting sun 533 00:29:32,237 --> 00:29:33,805 aligns perfectly with the east-west grid 534 00:29:33,872 --> 00:29:35,473 of Manhattan's streets. 535 00:29:35,540 --> 00:29:39,410 Sort of a Stonehenge-meets- concrete-and-hot-dog-carts kind of thing. 536 00:29:39,477 --> 00:29:40,211 Huh. 537 00:29:40,278 --> 00:29:41,846 Here's how I got there. 538 00:29:41,913 --> 00:29:43,781 I took all of Hollis Eckhart's charts 539 00:29:43,848 --> 00:29:47,819 and ran them through the NOAA's Solar Position Calculator. 540 00:29:47,886 --> 00:29:50,021 And he was definitely plotting the movement of the sun 541 00:29:50,088 --> 00:29:52,390 for an exact date and time. 542 00:29:56,394 --> 00:30:00,532 His charts show the precise path of the sun 543 00:30:00,598 --> 00:30:02,300 across New York City for December 5 544 00:30:02,367 --> 00:30:03,902 at sunrise. 545 00:30:03,968 --> 00:30:07,005 What about this photograph? 546 00:30:07,071 --> 00:30:09,040 That's Hollis and Calliope Eckhart on the same day 547 00:30:09,107 --> 00:30:10,475 two years ago. 548 00:30:10,542 --> 00:30:14,078 All the signage and advertising in Times Square 549 00:30:14,145 --> 00:30:17,215 confirms it. 550 00:30:17,282 --> 00:30:20,585 According to medical records, Hollis Eckhart was born 551 00:30:20,652 --> 00:30:21,853 on December 5. 552 00:30:21,920 --> 00:30:25,089 His wife was murdered exactly two years ago on his birthday. 553 00:30:25,156 --> 00:30:28,026 So this photograph might've been taken on the very day she died. 554 00:30:28,092 --> 00:30:31,196 Plus it's facing east, which makes that 555 00:30:31,262 --> 00:30:34,299 a Manhattanhenge dawn right behind them. 556 00:30:34,365 --> 00:30:36,901 His birthday, the anniversary of his wife's death, 557 00:30:36,968 --> 00:30:38,036 and Manhattanhenge all 558 00:30:38,102 --> 00:30:38,102 on the same day. 559 00:30:38,102 --> 00:30:38,937 Yeah. 560 00:30:39,003 --> 00:30:40,939 And that day begins again at sunrise. 561 00:30:41,005 --> 00:30:42,373 What time is it? 562 00:30:42,941 --> 00:30:45,009 It's almost 4:00 A.M. 563 00:30:45,076 --> 00:30:47,178 We've only got two hours. 564 00:30:51,549 --> 00:30:53,151 (train wheels squeal) 565 00:31:03,161 --> 00:31:04,862 (train wheels squeal) 566 00:31:22,480 --> 00:31:23,982 So, where are you now, Mac? 567 00:31:24,048 --> 00:31:26,150 Heading west. 568 00:31:26,217 --> 00:31:28,119 Based on Eckhart's previous murders, Flack's got 569 00:31:28,186 --> 00:31:29,254 all available units 570 00:31:29,320 --> 00:31:30,989 descending on every iconic Westside 571 00:31:31,055 --> 00:31:33,324 location we can think of. 572 00:31:33,391 --> 00:31:35,260 Hawkes get anything from those faded tickets? 573 00:31:35,326 --> 00:31:36,261 BONASERA: He's in Trace right now 574 00:31:36,327 --> 00:31:38,062 trying to restore the thermal ink print. 575 00:31:38,129 --> 00:31:40,131 But even if he does, there's no guarantee 576 00:31:40,198 --> 00:31:41,532 it'll point you in the right direction. 577 00:31:41,599 --> 00:31:43,668 TAYLOR: We don't have time for guarantees. 578 00:31:43,735 --> 00:31:44,602 We gotta go with our guts. 579 00:31:44,669 --> 00:31:45,670 You realize this is 580 00:31:45,737 --> 00:31:47,972 like looking for some kind of crazy twisted needle 581 00:31:48,039 --> 00:31:48,673 in a haystack? 582 00:31:48,740 --> 00:31:49,607 Yeah, I know, Stella, 583 00:31:49,674 --> 00:31:52,043 but Lindsay's still working that sketch. 584 00:31:52,110 --> 00:31:53,478 So without some kind of specific person 585 00:31:53,544 --> 00:31:54,979 or place to search for... 586 00:31:55,046 --> 00:31:57,282 BONASERA: ...all we can do is hit the same streets as Hollis Eckhart. 587 00:31:57,348 --> 00:31:59,617 I know. I'm making the rounds to see what we've got. 588 00:31:59,684 --> 00:32:02,453 Keep me on the line as you go. 589 00:32:02,520 --> 00:32:04,389 BONASERA: They say it's always darkest before dawn. 590 00:32:04,455 --> 00:32:08,293 TAYLOR: Let's just hope they're right. 591 00:32:08,359 --> 00:32:10,295 I know where he's going. 592 00:32:10,361 --> 00:32:12,096 Hey, Stell! 593 00:32:12,163 --> 00:32:13,097 Hold on, Mac. 594 00:32:13,164 --> 00:32:14,032 These are two unused tickets 595 00:32:14,098 --> 00:32:16,067 for a concert by the Philharmonic two hours 596 00:32:16,134 --> 00:32:18,403 after Calliope Eckhart died. 597 00:32:18,469 --> 00:32:20,571 Hey, Mac, you need to get to Lincoln Center now. 598 00:32:20,972 --> 00:32:23,241 (tires squeal) 599 00:32:32,350 --> 00:32:34,419 It's Hollis Eckhart. 600 00:32:34,485 --> 00:32:36,254 He's the fourth victim. 601 00:32:37,488 --> 00:32:40,124 (siren wailing) 602 00:32:40,191 --> 00:32:41,225 Flack, what's your 20? 603 00:32:41,292 --> 00:32:42,660 I'm heading up Eighth. 604 00:32:42,727 --> 00:32:45,997 Danny's over on Hudson Parkway. 605 00:32:47,298 --> 00:32:48,700 No, no, no, no no. No! 606 00:32:50,568 --> 00:32:52,370 Move, move, move. 607 00:33:03,414 --> 00:33:04,982 (siren continues) 608 00:33:14,292 --> 00:33:15,293 We have a visual! 609 00:33:16,194 --> 00:33:18,196 ♪ ♪ 610 00:33:48,426 --> 00:33:51,195 Hollis Eckhart! 611 00:33:51,262 --> 00:33:53,064 Mac Taylor. NYPD! 612 00:33:53,131 --> 00:33:54,165 You! 613 00:34:03,374 --> 00:34:05,243 ♪ ♪ 614 00:34:32,503 --> 00:34:34,505 (sirens wailing) 615 00:34:39,177 --> 00:34:40,777 Put that gun down now! 616 00:34:44,581 --> 00:34:45,583 Drop it right now! 617 00:34:47,784 --> 00:34:49,420 Put your hands in the air. 618 00:34:51,822 --> 00:34:54,225 CALLIOPE: Hollis! 619 00:34:54,292 --> 00:34:55,760 What's happening? 620 00:34:55,827 --> 00:34:59,597 This isn't how it was supposed to be. 621 00:35:01,666 --> 00:35:03,734 I know, baby. None of it was. 622 00:35:03,801 --> 00:35:06,671 Please don't make it worse. 623 00:35:20,384 --> 00:35:22,353 I shouldn't have asked you to come. 624 00:35:22,420 --> 00:35:25,323 If you hadn't have been at my office, you'd still be here! 625 00:35:25,389 --> 00:35:28,593 But I am still here. I am! You know that! 626 00:35:28,659 --> 00:35:30,394 No! You're gone! 627 00:35:30,461 --> 00:35:32,430 You're gone! 628 00:35:33,865 --> 00:35:35,433 That bastard killed you! 629 00:35:35,500 --> 00:35:38,135 Just like the man who sold him the gun. 630 00:35:38,202 --> 00:35:41,639 Like the shrink who should have warned his wife! 631 00:35:41,706 --> 00:35:44,442 And the guard who should have stopped him from getting in! 632 00:35:47,912 --> 00:35:49,881 But I'm just as much to blame as them. 633 00:35:49,947 --> 00:35:51,415 Don't you see that? 634 00:35:51,482 --> 00:35:53,684 (sobbing): Baby, please don't do this. 635 00:35:53,751 --> 00:35:53,751 I have to. 636 00:35:53,751 --> 00:35:54,000 No! 637 00:35:54,000 --> 00:35:54,000 I have to. 638 00:35:54,000 --> 00:35:56,320 No! 639 00:35:56,387 --> 00:35:57,488 There's nothing left for me here. 640 00:35:57,555 --> 00:36:00,224 You're wrong! 641 00:36:00,291 --> 00:36:01,425 Listen to your wife, Hollis. 642 00:36:02,693 --> 00:36:04,462 We can help you. 643 00:36:04,529 --> 00:36:06,664 Yes! You can trust him! 644 00:36:10,268 --> 00:36:11,469 I lost my wife, too. 645 00:36:13,437 --> 00:36:17,375 But she never really left me. 646 00:36:17,441 --> 00:36:19,644 And I promise you, 647 00:36:19,710 --> 00:36:21,712 Calliope won't leave you, either. 648 00:36:23,981 --> 00:36:25,816 Now, just put the gun down. 649 00:36:27,018 --> 00:36:29,587 He's right, baby. 650 00:36:29,654 --> 00:36:32,790 If you love me, 651 00:36:32,857 --> 00:36:36,494 then please do what he says. 652 00:36:46,804 --> 00:36:47,805 (whispers): Oh, God... 653 00:36:57,448 --> 00:36:59,550 What have I done? 654 00:36:59,617 --> 00:37:00,751 (sobs) 655 00:37:00,818 --> 00:37:02,887 What have I done? 656 00:37:13,564 --> 00:37:16,334 NEWS ANCHOR: Authorities allege Hollis Eckhart is responsible 657 00:37:16,400 --> 00:37:17,535 for the murders of three New Yorkers 658 00:37:17,602 --> 00:37:21,005 and intended to take his own life as well 659 00:37:21,072 --> 00:37:23,574 before being apprehended earlier this morning. 660 00:37:23,641 --> 00:37:25,376 Eckhart is currently undergoing psychiatric evaluation 661 00:37:25,443 --> 00:37:27,278 pending his arraignment. 662 00:37:27,345 --> 00:37:29,914 And in other news, the New York phenomenon known 663 00:37:29,981 --> 00:37:32,516 as Manhattanhenge delighted... 664 00:37:36,754 --> 00:37:38,689 So what's his final note mean? 665 00:37:38,756 --> 00:37:41,258 "I shouldn't have asked her to come. 666 00:37:41,325 --> 00:37:42,893 I'm sorry." 667 00:37:42,960 --> 00:37:45,463 Eckhart was supposed to meet his wife 668 00:37:45,529 --> 00:37:46,464 at Lincoln Center after work. 669 00:37:46,530 --> 00:37:47,865 But when he was running late, 670 00:37:47,932 --> 00:37:50,401 he told her to go to the surveyor's office instead. 671 00:37:50,468 --> 00:37:51,702 Figured if they were going 672 00:37:51,769 --> 00:37:54,472 to miss the show, they might as well be together. 673 00:37:54,538 --> 00:37:56,641 So, he blamed himself as much as everyone else. 674 00:37:56,707 --> 00:37:59,410 Maybe more. 675 00:37:59,477 --> 00:38:01,345 Each man is the architect of his own fate. 676 00:38:01,412 --> 00:38:03,748 And sometimes the fate of others. 677 00:38:12,790 --> 00:38:14,025 Okay, we've got spaghetti and meatballs, 678 00:38:14,091 --> 00:38:16,394 chicken parmesan, sautéed vegetables. 679 00:38:16,460 --> 00:38:17,528 Yum. 680 00:38:17,595 --> 00:38:18,896 Garlic bread. 681 00:38:18,963 --> 00:38:20,031 Can you pass it over here? 682 00:38:20,097 --> 00:38:20,097 There we go. 683 00:38:20,097 --> 00:38:21,866 Thank you. 684 00:38:21,932 --> 00:38:23,467 And... a bag of ice. 685 00:38:23,534 --> 00:38:24,969 Ah, grazie, grazie. 686 00:38:25,036 --> 00:38:26,404 Enjoy. 687 00:38:26,470 --> 00:38:26,470 Thank you. 688 00:38:26,470 --> 00:38:27,471 Oh, that feels good, 689 00:38:27,538 --> 00:38:29,006 Huh? 690 00:38:29,073 --> 00:38:30,441 All right. 691 00:38:30,508 --> 00:38:30,508 Got it? You okay? 692 00:38:30,508 --> 00:38:32,043 Yeah. 693 00:38:32,109 --> 00:38:33,911 Here's to a great team 694 00:38:33,978 --> 00:38:37,982 and to getting Hollis Eckhart off the streets. 695 00:38:38,049 --> 00:38:40,418 Yes. And to reminding us that life is fleeting 696 00:38:40,484 --> 00:38:41,485 and we should hold on to the people we love 697 00:38:41,552 --> 00:38:43,020 while we can. 698 00:38:43,087 --> 00:38:44,789 Cheers. 699 00:38:47,091 --> 00:38:48,726 We did good. 700 00:38:48,793 --> 00:38:50,494 We did. 701 00:38:50,561 --> 00:38:51,595 Okay, I think each and every one of us 702 00:38:51,662 --> 00:38:53,030 is going to sleep well tonight. 703 00:38:53,097 --> 00:38:54,832 And starting tomorrow, 704 00:38:54,899 --> 00:38:57,101 I will be sleeping in my own apartment. 705 00:38:58,536 --> 00:38:59,937 Score a new pad? 706 00:39:00,004 --> 00:39:00,905 Please tell me it's not underground. 707 00:39:00,971 --> 00:39:02,139 (all laugh) 708 00:39:02,206 --> 00:39:05,476 Well, actually, it's just a rent control studio off Bleeker. 709 00:39:05,543 --> 00:39:06,777 Nice! 710 00:39:07,478 --> 00:39:09,480 This mean I get my couch back? 711 00:39:09,547 --> 00:39:10,514 (laughs) 712 00:39:10,581 --> 00:39:12,783 Well, actually, it's unfurnished. 713 00:39:12,850 --> 00:39:15,519 (all laughing) 714 00:39:17,455 --> 00:39:18,923 Side of meatball? 715 00:39:18,989 --> 00:39:20,558 Right here. 716 00:39:20,624 --> 00:39:23,527 ♪ Sundown, you better take care ♪ 717 00:39:23,594 --> 00:39:26,997 ♪ If I find you been creeping 'round my back stair ♪ 718 00:39:27,064 --> 00:39:28,632 A little bit? A little bit? 719 00:39:28,699 --> 00:39:30,034 (laughing) 720 00:39:30,101 --> 00:39:33,137 ♪ Sundown, you better take care... ♪ 721 00:39:33,204 --> 00:39:35,372 (all chatting) 722 00:39:35,439 --> 00:39:40,778 ♪ If I find you been creeping 'round my back stair ♪ 723 00:39:40,845 --> 00:39:44,815 ♪ Sometimes I think it's a sin... ♪ 724 00:39:44,882 --> 00:39:47,518 Captioning sponsored by CBS, CSI NY PRODUCTIONS, 725 00:39:47,585 --> 00:39:49,520 and TOYOTA. Moving Forward. 726 00:39:49,587 --> 00:39:52,957 Captioned by Media Access Group at WGBH access.wgbh.org